Chroma.a study in light & pigment
For a century we photographed people. We rendered them faithfully, in silver and salt, and we called that record a portrait.
Chroma begins where that faithfulness ends. Here, colour is not applied to the subject — the subject is the colour, held for one exposure before returning to air.
Two photographers. Two grammars. One shared conviction: that identity, at its root, is a wavelength you can almost catch.
Eight frames. Two hands. One spectrum.
A palette is a
vocabulary.
Six pigments, six wavelengths — the shared alphabet of both photographers. Scroll to move through the register.
- Signal Red
- Photopic Green
- Structure Blue
- Gulal Vermilion
- Turmeric
- Cerulean Dust